Castilla mal is the experience of fragmentation of an individual with respect to his own territory. It is the evil of a Castile that is emptied. The evil of an inland Spain that suffers a double tear: that of depopulation and that of its own identity.
Valladolid, 1985. Graduated in Textual Interpretation from the Royal High School of Dramatic Art of Madrid (RESAD), she continues her studies at the International Film and TV School of San Antonio de los Baños (Cuba), London film school (United Kingdom) or the Valladolid Film Chair. Known especially for her work on television, she has been part of great series such as Velvet (A3Media), Isabel (TVE1) or Amar es para Siempre (A3Media) among others. As a creator, in 2011 she received the Innovative Dramaturgy Award, awarded by the Madrid Contemporary Scene Festival, for Ingrávida, her first dramaturgy. Currently focused on the audiovisual from its most experimental point of view, it investigates the limits and coexistence between the documentary and the performative, working on a new genre: the electrodocumentary, withLa fe (2018), Papa Cohiba (2019), Señora Panadera (2020) y Castilla mal (2021).
Search short films